A unique newspaper for each show — the city, the night, the setlist, the writing. Run sized to the room; when a night sells out, that edition is gone forever. Scarcity is real and dated, so it carries a higher price point than a poster.
One design for the whole tour, sold at every stop and online, closed forever when the tour ends. Simpler, batch-printed to demand — no per-city collectible story, so it earns a lower price point.
They combine well: per-night editions at the shows, the open edition online only — the collector object and the accessible one, without either undercutting the other.
End-to-end. Event production with H&M and Highsnobiety. Production for Nike. TikTok marketing for Noah Kahan. Creative direction with over 20 artists across genres. We stock our own newspapers through our own global distribution — Magculture, Yvon Lambert, Skylight, Quimby's.
Design, print, logistics, promo, distribution — one team, one pipeline. Full-size newsprint where every spread opens into a wall poster, with real writing on the backs. Your team approves at concept, layout, and final. We run the rest.
Pick the structure first — the products below work under either.
Wide Open pays for everything — design, print, shipping. Costs recoup off the top, then the net splits 60/40 in the artist's favor. You write no checks and carry zero risk.
You cover production at cost plus our design & production fee, and keep everything else. More money, small upfront — the right call if you're confident in the run.
These are base prices — scope-specific and negotiable as a bundle.
Every number is a lever — drag them and the budget recalculates across all 14 dates.
Capacities from venue specs — true them against ticketed capacity and every row recalculates.
One design, the whole tour, closed forever at the end. Batch-printed to demand.
The artist newspaper has half a century of collector history — priced like art, not merch.
Printing and shipping take a week. The only real time variable is design.